Archives for January 2018

Slime Announces Next Generation Tire Sealant Kits

If you are like me…you dread getting a flat tire! I have to admit that it is one of the worst things! Luckily, it doesn’t happen too often…but what do you do? I like that this is a simple solution! I mean…we have enough to worry about, don’t we?! There’s no need to worry about a flat tire!

Slime, the nation’s leader in tire sealant technology is pleased to announce its technologically-advanced Next Generation Flat Tire Repair Kits.

“Being the tire repair industry leader, we want to make having to change a flat tire a thing of the past,” said Patrick Mallon, Slime Director of Marketing and Innovation. “Our sealant in the Flat Tire Repair Kits are OEM approved and are easy to use and get you from flat to fixed in a matter of minutes.  There is no more advanced tire repair kit on the market.”

Slime’s next generation of Flat Tire Repair Kits are fast and simple to use and do not require any tools or jack, thus eliminating any potential injuries and roadside hazards. The new Flat Tire Repair Kits use an easy four-step process to get your vehicle back on the road safely within minutes of a flat tire occurrence.

Features of Slime’s Next Gen Flat Tire Repair Kits include:

  • Simple 4-step process with step by step repair guide
  • Available in Standard or Digital versions
  • Refill cartridge available
  • Trusted technology
  • Sealant approved by leading OEMs
  • No need for jacks or tools
  • Tire sensor safe
  • Repair and fully inflate a flat tire in minutes
  • Standard series retails for $39.99
  • Digital Series retails for $49.99
  • Refill Cartridge retails for $12.99

For more information on Slime Next Gen Flat Tire Repair Kits, please visit: http://slime.com/.

About Slime: Slime was founded in 1989, in a garage in central California, close to numerous mountain biking trails that created a high demand for “the green slimy stuff” to repair tires.  Since then, Slime has grown into a company that exports its products to 36 countries and is the leader in tire sealant and tire repair technology. Since our founding, we have been committed to manufacturing a product that is safe for our customers and the environment.  For further information please call Slime at 1-888-45-SLIME.

Self Disclosure: I received a free sample to facilitate this post. I have not yet had to use the product but feel confident that this will help when I do get a flat tire.

The Post – Surpasses Any Expectations And Delivers On A Much Higher Level

 

Katharine Graham is the first female publisher of a major American newspaper — The Washington Post. With help from editor Ben Bradlee, Graham races to catch up with The New York Times to expose a massive cover-up of government secrets that spans three decades and four U.S. presidents. Together, they must overcome their differences as they risk their careers — and very freedom — to help bring long-buried truths to light. KIDS FIRST! Film Critic Gerry O. comments, “The story comes to life under the masterful direction of Steven Spielberg. His most famous techniques are clear from the very first shot and continue throughout the film. In fact, the first scene, which takes place in the jungles of Vietnam, will remind you of Saving Private Ryan due to the heart-thumping sound design and chaotic cinematography that puts you right on the battlefield.” Clayton P. adds, “The Post is very timely and reflective of our own time.  In this day of “fake news” and media bashing, this film is a refreshing story of the integrity of newspaper organizations. Spielberg tries to show the importance of a free press in combating government malfeasance.” See their full reviews below.

 

The Post

By Gerry O., KIDS FIRST! Film Critic, Age 15

 

 

There are very few films every year that keep you excited and entertained while delivering impressive visual achievements. The Post does not belong in this category because it far surpasses any expectations and delivers on a much higher level. Every single aspect of this film -from acting to directing to editing – are all superb.

 

The Post has many things to offer, but the biggest would be the drama surrounding this very real story. It feels like an adventure, even though it takes place on East Coast. It is sprinkled with just the right amount of funny moments here and there, with hilarious and perfectly timed jokes. Out of all the spectacular cinematic achievements, none of them would be possible without the exciting and truly eye-opening story. It dives into a major leak of top-secret information, ranging multiple U.S. presidents, all relating to the Vietnam War. At first, the film seems to be about the two newspapers, The New York Times and the Washington Post, both attempting to get this story. Later, it turns into a fight between freedom of the press and censorship as the Nixon Administration attempts to block both newspapers from publishing any information about their secrets.

 

The story comes to life under the masterful direction of Steven Spielberg. His most famous techniques are clear from the very first shot and continue throughout the film. In fact, the first scene, which takes place in the jungles of Vietnam, will remind you of Saving Private Ryan due to the heart-thumping sound design and chaotic cinematography that puts you right on the battlefield. The cast has their own achievements. Tom Hanks (Ben Bradlee) and Meryl Streep (Kay Graham) work perfectly together and truly become their characters. John Williams, the Composer for the film, manages to take the spotlight from the visual scenes and put them into the music. His original score sounds incredible and you’ll find yourself swallowed by the soothing and memorable tones. But what really looks impressive in The Post is the film grain. The quality looks like a modern film, yet the colors and the lighting make it feel like the 60s which adds to the realism of the story.
The cinematography defines my favorite scene, the climax of the film. Kay Graham, publisher of the Washington Post, has to make the final decision whether the paper should publish the leaked documents or not. She is on the phone with multiple business partners, her editor (Ben Bradlee), and many journalists of the paper as well as some of her board advisors. Easily, this makes for the most intense scene in the entire film and truly brings Meryl Streep’s character to life. Throughout the phone conversation, the camera angles make it feel like one long shot across multiple locations. Finally, at the moment she makes her decision, the camera slowly zooms into her eyes and mouth to show wonder, fear, curiosity and more – all at once. Finally, as Kay makes her decision, the camera zooms out and the feeling of intensity immediately leaves the room. Despite being just a few minutes long, it feels like an eternity and you, as a viewer, can’t help but clench your fist in anticipation of what her decision will be.

 

The story has many mature elements and the concept itself is complicated at times. The messages related to journalistic oppression are very important for all ages. I recommend this to ages 10 to 18, as well as adults. I give it 5 out of 5 stars for perfect directing, astonishing acting, and cinematography so beautiful it belongs in an art gallery along with many other films directed by Steven Spielberg. It is available in theaters  January 12, 2018 so check it out.

 

The Post

By Clayton P., KIDS FIRST! Film Critic, age 18

 

Spielberg’s The Post is a paean to the American ideal of freedom of the press.  This highly intense, suspenseful film tells the story of Katherine Graham, owner of The Washington Post and its historic role in the publishing of the Pentagon Papers in 1971. Directed by Steven Spielberg, the films stars Meryl Streep as Katherine Graham, Tom Hanks as the Post’s editor, Ben Bradlee and a top ensemble cast.

 

Set in the classic age of newspapers and network television, before the internet age, The Post  is a coming-of-age story on two fronts.  The Washington Post goes from being a regional media outlet to a national newspaper of note.  In the process, Katherine Graham, goes from being a society hostess to a strong female corporate owner.  A former government analyst finds proof of a government cover-up regarding American involvement in Vietnam and leaks the information to The New York Times and The Washington Post.  Graham’s editorial team is in favor of publishing the material because it’ll put the newspaper on the map, so to speak.  Her legal and financial team are against it and warn that she could go to jail for contempt and lose the newspaper.  What follows is an intense examination of all the pros and cons of the issue.

 

One of the most fascinating parts of the film is seeing the inner workings of creating a newspaper – the old printing presses, the dyes, the plates with all the metal letters and etchings of pictures.  Spielberg clearly loves the traditional craft of printing a newspaper.  The John Williams music is perfect for the suspenseful plot. The acting is impeccable.  Both Meryl Streep and Tom Hanks have such amazing craft that they imbue their roles with intelligence and humanity. The beginning of the film sets up the true-to-life plot and players. Because of this, the beginning of the film may be difficult for younger viewers because they aren’t aware of the politics of the 1970s.

 

The Post is very timely and reflective of our own time.  In this day of “fake news” and media bashing, this film is a refreshing story of the integrity of newspaper organizations. Spielberg tries to show the importance of a free press in combating government malfeasance. The Post is appropriate for ages 15 to 18. Younger teens may find the film boring if they are not interested in politics or media. I give this film 4.5 out of 5 stars for its exceptional use of real life suspense.  It is available in theaters  January 12, 2018 so check it out.

Credit: KIDS FIRST!

Nikee is Pet of the Week!

Nikee (ID#A598433)—yes, with two e’s!—is an awesome 7-year-old whose owner surrendered him. He had a buddy who was also a large-breed dog, so he’d be great in a home with another big doggie. However, we think he’d be deliriously happy with just people as well! He’s lots of fun and has a ton of energy. He’d make a great family pet—after running and playing with his toys, he loves to sit down with a treat and a cuddle with his peeps at the shelter. Meet Nikee at Long Beach Animal Care Services on the shelter side of the P.D. Pitchford Animal Village, 7700 E. Spring St., Long Beach, (562) 570-PETS. Ask for ID#A600878.

(The usual suspects contributed to this rescue)

Credit: Courtesy of the Long Beach Animal Care Services. 

MONSTER JAM® Crushes Through Angel Stadium of Anaheim with Record-Setting Five Action-Packed SoCal Events

     

Featuring more Monster Jam® events than any other city in the country, the 12,000 lb. Monster Jam trucks are ready to roar full throttle back into Angel Stadium of Anaheim with a newly added 5th weekend event – marking the first-ever Sunday event for Southern California fans!  Now the most adrenaline-charged motorsports experience for families on the planet returns to Anaheim in 2018 with more action and bigger trucks than ever before ready to battle it out in the ultimate event of speed, racing, stunts and demolition for another season of high-octane weekend events between January 13 – February 25, 2018.

 

This year’s massive truck lineup features appearances by Monster Jam super-truck icons Grave Digger® and MAX-D™, along with World Finals Champions El Toro Loco®, Son Uva Digger®, Overkill Evolution, Avenger, Bounty Hunter and VP Racing Fuel’s® Mad Scientist.  The season is highlighted by seven trucks making their Anaheim debut appearances including all-new 2018 season trucks BroDozer (inspired by the popular Discovery Channel TV show “Diesel Brothers”) and Whiplash, along with Mutant, Rammuntion, Hotsy and Black Pearl plus the newest member of the Monster Jam beasts family – the menacing giant shark Megalodon.

 

Unexpected, unscripted and unforgettable, Monster Jam takes center stage in the world’s most iconic venues, sporting meticulously manicured dirt tracks created with the sole purpose of pushing these perfectly engineered, larger-than-life trucks to the limit.   Monster Jam is one of the only sports where male and female world-class drivers, some generational rivals, are equals competing for the same championship on the same track. New in 2018 across all Monster Jam events, fans in every city will have the chance to vote for the truck winner in the donut, wheelie and freestyle competitions by real-time, in-arena fan voting on their smartphones.

 

In addition to the world-class racing and freestyle competition action, fans can come to the stadium early to enjoy the Monster Jam® Pit Party pre-show experience – which gives fans unparalleled access to view their favorite trucks up-close and meet the star drivers for autographs & photos. New for 2018, Monster Jam has introduced the limited quantity Pit Party Early Access Pass that provides fans early entry into the Pit Party one hour before open to the general public (at Saturday events only).

WHEN:                 Saturday, January 13, 2018

   Pit Party open from 2:30 PM – 5:30 PM (Event ticket & Pit Pass required for entry. Drivers leave Pit Party at 5:00 PM)

Event Time – 6:30 PM

 

Featured Trucks/Drivers:  Grave Digger® driven by Adam Anderson; Max-D driven by Neil Elliott; El Toro Loco® driven by Bryan Wright; Megalodon driven by Alex Blackwell; Whiplash driven by Brianna Mahon; Mutant driven by    Todd LeDuc; Great Clips Mohawk Warrior driven by Bryce Kenny;  Monster Mutt® Rottweiler driven by Brad Allen; Avenger driven by Jim Koehler; Big Kahuna driven by Shane England; Ice Cream Man driven by Roy Pridgeon;   Jester driven by Matt Pagliarulo;  Stone Crusher driven by Steve Sims; and Xtermigator driven by JR McNeal.                          **Truck line-up subject to change

 

 

WHEN:                 Saturday, January 27, 2018

   Pit Party open from 2:30 PM – 5:30 PM (Event ticket & Pit Pass required for entry. Drivers leave Pit Party at 5:00 PM)

Event Time – 6:30 PM

 

Featured Trucks/Drivers:  Grave Digger® driven by Adam Anderson; Max-D driven by Neil Elliott; El Toro Loco® driven by Bryan Wright; Megalodon driven by Alex Blackwell; Whiplash driven by Brianna Mahon; Mutant driven by    Todd LeDuc; Great Clips Mohawk Warrior driven by Bryce Kenny;  Monster Mutt® Rottweiler driven by Brad Allen; Avenger driven by Jim Koehler; Big Kahuna driven by Shane England; Ice Cream Man driven by Roy Pridgeon;   Jester driven by Matt Pagliarulo;  Stone Crusher driven by Steve Sims; and Xtermigator driven by JR McNeal.

**Truck line-up subject to change

 

WHEN:                 Saturday, February 10, 2018

   Pit Party open from 2:30 PM – 5:30 PM (Event ticket & Pit Pass required for entry. Drivers leave Pit Party at 5:00 PM)

Event Time – 6:30 PM

 

Featured Trucks/Drivers:  Grave Digger® driven by Charlie Pauken; Max-D driven by Tom Meents; El Toro Loco driven by Chuck Werner; Monster Mutt Dalmatian driven by Candice Jolly; Brodozer driven by Colt Stephens; Team Hot Wheels driven by Scott Buetow; Scooby-Doo driven by Mike Thompson; Pirate’s Curse driven by Cory Rummell; Wild Flower driven by Rosalee Ramer; Devastator driven by Mark Schroeder; Obsessed driven by Eric Swanson; Over Bored driven by Jamey Garner; and Time Flys driven by Kelvin Ramer.                              **Truck line-up subject to change

 

WHEN:                 Saturday, February 24, 2018

                                Pit Party open from 2:30 PM – 5:30 PM (Event ticket & Pit Pass required for entry. Drivers leave Pit Party at 5:00 PM)

Event Time – 6:30 PM

Sunday, February 25, 2018

                                Pit Party open from 11:30 AM – 1:30 PM (Event ticket & Pit Pass required for entry. Drivers leave Pit Party at 1:00 PM)                                               Event Time – 3:00 PM

 

Featured Trucks/Drivers:  Grave Digger® driven by Randy Brown; Son-uva Digger driven by Ryan Anderson; Dragon driven by Jon Zimmer; Gas Monkey Garage driven by BJ Johnson; Scooby-Doo driven by Hayley Gauley; VP Racing Fuels’ Mad Scientist driven by Lee O’Donnell; Xtreme Diesel driven by Dave Radzierez; Barbarian driven by Devin Jones; Overkill Evolution driven by Mike Vaters II; Black Stallion driven by Mike Vaters; Bounty Hunter driven by Austin Minton;  Iron Outlaw driven by Mike Christensen; Hotsy driven by Kurt Kraehmer; and Rammunition driven by Mat Dishman.                                                                                                                                **Truck line-up subject to change

 

WHERE:               Angel Stadium of Anaheim – 2000 Gene Autry Way, Anaheim, CA 92806

 

PIT PARTY:          Open from 2:30 PM–5:30 PM prior to each Saturday event; 11:30 AM–1:30 PM on Sunday Feb. 25

Exclusive Pit Party Early Access Pass entrance at 1:30 PM (Saturday events only)

**Event ticket and Pit Passes are required for entry; Pit Passes available to purchase for $10 each

 

TICKETS:               Ticket prices start at just $25!

Pit Passes available for $10 each; Pit Party Early Access Pass pricing starts at $50 each

 

Tickets now on sale – all seats are reserved; tickets available for purchase online at Ticketmaster.com or charge by phone at 800-745-3000; tickets will be available for purchase in-person at the Angel Stadium box office starting December 4, 2017.

                                **Ticket prices subject to change – additional venue/ticketing fees may apply.

For specific info on each Monster Jam Anaheim event, please visit these MonsterJam.com sites:

Jan. 13:  https://www.monsterjam.com/en-US/events/anaheim-ca-0

Jan. 27:  https://www.monsterjam.com/en-US/events/anaheim-ca-3

Feb. 10:  https://www.monsterjam.com/en-US/events/anaheim-ca

Feb. 24 & 25:  https://www.monsterjam.com/en-US/events/anaheim-ca-4

 

To follow Monster Jam on Facebook, Twitter and Instagram log on to

www.facebook.com/MJOnline, www.twitter.com/MonsterJam & www.instagram.com/MonsterJamLive

Subscribe to our YouTube Channel at www.youtube.com/MonsterJamLive

Credit: Monster Jam®