The Vast of Night * An Homage To The Twilight Zone That Is Just Not Eerie Enough

In the twilight of the 1950s, on one fateful night in New Mexico, a young switchboard operator Fay and charismatic radio DJ Everett discover a strange audio frequency that could change their small town and the future forever. KIDS FIRST! Film Critic Calista B. comments, “Aside from the pacing and poor editing, the mystery of the frequency is ultimately confusing and unsatisfying. And as an homage to The Twilight Zone, it’s not eerie or unique enough and honestly it feels like a gimmick. The fact that the story takes place in the 50s rarely comes up other than the old technology, which is a bit disappointing to me, since I really like the 50s aesthetic.” See her full review below.

The Vast of Night

By Calista B., KIDS FIRST! Film Critic, Age 16

The Vast of Night was somewhat disappointing. The film has an interesting set up but it feels underdeveloped and a waste of potential.

The story is a very clear parody of shows such as The Twilight Zone, to the point where the story is framed as if it was an episode of The Twilight Zone. The plot follows two high schoolers named Everett and Fay, who run a radio show together in the 1950s. One night, Fay hears a strange frequency through the radio and she investigates it with Everett.

To start off, I want to talk about my biggest problem with this movie, which is the pace. There are many scenes in this movie that go on for way too long and, as a result, completely kill the atmosphere and investment. The worst of these is the scene near the beginning in which Fay first hears the frequency. She calls a bunch of other people to ask them about it, and this takes around ten minutes. There is no justifiable reason that this scene needs to be so long. It barely establishes anything and, at most, reestablishes the same thing. It’s not entertaining and is incredibly boring. But what makes this scene even more tedious is that, for ten minutes, there is not a single cut. It’s the same frame and same shot of Fay, for the entire ten minutes. I’m usually not one to talk about cinematography and editing, but this combination is a recipe for boredom. However, props to Sierra McCormick, the actress who plays Fay, for being able to pull this scene off. I’m sure this scene was difficult to do. Unfortunately, it’s not enough to save this major flaw. In actuality, this film is pretty short, but it feels like an eternity.

Aside from the pacing and poor editing, the mystery of the frequency is ultimately confusing and unsatisfying. And as an homage to The Twilight Zone, it’s not eerie or unique enough and honestly it feels like a gimmick. The fact that the story takes place in the 50s rarely comes up other than the old technology, which is a bit disappointing to me, since I really like the 50s aesthetic.

I give this film 2 out of 5 stars and recommend it for ages 12 to 18. It comes out May 15, 2020 and on Prime Video May 29, 2020. Look for it.

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