Archives for July 30, 2022

Katia and Maurice Krafft loved two things — each other and volcanoes. For two decades, the daring French volcanologist couple roamed the planet, chasing eruptions and documenting their discoveries. Ultimately, they lost their lives in a 1991 volcanic explosion, leaving a legacy that forever enriched our knowledge of the natural world. Director Sara Dosa and the filmmaking team fashion a lyrical celebration of the intrepid scientists’ spirit of adventure, drawing from the Kraffts’ spectacular archive. FIRE OF LOVE tells a story of primordial creation and destruction, following two bold explorers as they venture into the unknown, all for the sake of love.

KIDS FIRST! Film Critic Eshaan M. comments, “A superb film for nature-lovers and a great film to study for budding documentarians, Fire of Love explores a dynamic relationship between volcanologists, with beautiful editing and archival footage; however, its pace somewhat undermines the beauty of the film.” See his complete review below.  

Fire of Love

By Eshaan M., KIDS FIRST! Film Critic, age 16

A superb film for nature-lovers and a great film to study for budding documentarians, Fire of Love explores a dynamic relationship between volcanologists, with beautiful editing and archival footage; however, its pace somewhat undermines the beauty of the film.

In Fire of Love, we are introduced to Katia and Maurice Krafft, Alsatian French volcanologists and spouses. From the beginning, it is evident that Maurice is the one who jumps in with abandon, and Katia is the one who takes calculated, measured risks. Through footage and some interviews, director Sara Dosa shows the Kraffts in their daring exploits, filming, photographing and recording volcanoes—and getting within feet of lava flows.

The National Geographic documentary team behind this film has evidently spent a sizable portion of time collecting stunning natural footage and archival video and sound to tell the story of this legendary duo. They team successfully assemble a great audiovisual gallery…. But the film needs something more. There are times where inserted music and natural footage seems to take over the storyline and bring things to a halt. We get heartwarming glimpses of the couple’s dynamic with one another—for the majority of the Fire of Love, we see the Kraffts at work, discussing their pursuits—but it would have been great to see more of them talking to one another, reflecting one-on-one. The film seems to waver between their relationship and their work, without discussing the intersection of both very clearly.  For example, a question I wish was answered better by the film was how the two maintained a work-life balance. The most compelling, moving part of Fire of Love is the couple’s blazing end—they died in a 1991 volcanic explosion in Japan—and it was captured with such deep emotion that I was left speechless.

Fire of Love is all about companionship, teamwork, and following your passion. There are of course some daring stunts performed in the film—the Kraffts, after all, are in a dangerous line of work.

I give Fire of Love 3.5 out of 5 stars and recommend it for ages 12 to 18, plus adults. Fire of Love is available in theaters now.

Trailer:

The Gray Man is CIA operative Court Gentry (Ryan Gosling), aka, Sierra Six. Plucked from a federal penitentiary and recruited by his handler, Donald Fitzroy (Billy Bob Thornton), Gentry was once a highly-skilled, Agency-sanctioned merchant of death. But now the tables have turned and Six is the target, hunted across the globe by Lloyd Hansen (Chris Evans), a former cohort at the CIA, who will stop at nothing to take him out. Agent Dani Miranda (Ana de Armas) has his back. He’ll need it.

KIDS FIRST! Film Critic Benjamin P. comments, “The Gray Man is, first and foremost, a classic spy movie. The draw of its elaborate action scenes, the size of its cast and the charisma of its lead performances keep it afloat in the pool of familiarity.” See his full review below.

The Gray Man

By Benjamin P., KIDS FIRST! Film Critic, Age 16

The Gray Man is, first and foremost, a classic spy movie. The draw of its elaborate action scenes, the size of its cast and the charisma of its lead performances keep it afloat in the pool of familiarity.<p>Court Gentry (Ryan Gosling) is a CIA operative who carries out killings of whomever they desire, as part of a deal he made decades ago to dodge prison time. On a job in Bangkok, as he dies, his target reveals the unexpected kinship he holds with Court and gives him a drive containing damning information about the people Court works for. These two discoveries force him to drop everything and go on the run with the intel. Back at the CIA, Court’s boss (Regé-Jean Page) is furious about the intel leak and Court’s betrayal. In response, Court’s boss calls in a former operative named Lloyd Hansen (Chris Evans). Rejected by the CIA for his violent, psychotic methods and his lack of concern to amend them, Lloyd has no qualms about eliminating whoever stands between him and his mission’s objective. And so, a cat and mouse chase begins between Court and Lloyd, a battle of wits and ability that tracks the entire globe.

The Gray Man has a lot going on besides Chris Evans and Ryan Gosling, but they are absolutely the reasons to see this movie. Ryan Gosling tones Court down— you really believe he was nurtured in his line of work, not born into it. Gosling is eternally tired in the role. Every obstacle, every adversary gets the same tossed off  “Are we really doing this?” look from Gosling. Yet there’s also an eternal spark: his wit, as if the opportunity to fire off a quip is what keeps him going through stab wounds and raining gunfire. The quipping brings something new to this spy archetype—the sense that this is just a particularly tough day on the job for Court and Gosling communicates that really well.

Every performance has its equal opposite reaction; so the yin to Gosling’s yang is Chris Evans as Lloyd Hansen. Where Gosling is just barely limping his way from explosion to explosion, Evans is confidently striding after him. He walks into this movie with a prominent mustache on his lip, or “trashstache,” as Court calls it, and a smile on his face, ready to do his thing. Lloyd enjoys his job. He waxes poetic about the joys of improv in torturing and the opportunity to kill the prized asset of his former employee only sweetens the deal and raises his spirits. Evans is whistling and skipping as he inflicts government-sanctioned mayhem. It’s fun to watch him play a character this unraveled and unafraid of any repercussions for his psychotic actions.

The Gray Man also features setpiece upon setpiece of impressive action. It’s not always the best-presented, and the editing can be discombobulating, but there are points where directors Russos find their footing. And the magnitude of some of the confrontations between Court and enemy forces also make seeing this movie worthwhile. A tram racing through the streets of Prague with Ryan Gosling dodging enemy fire, for example, or a fistfight in the middle of a firework launcher with fireworks erupting all around—there are moments in The Gray Man that are undeniably cool.

There is no real lesson to The Gray Man other than maybe staying out of the hitman industry. However, there are moments of action in The Gray Man where scale and invention and starpower all line up for something that feels truly thrilling. Even if it doesn’t reinvent the wheel and it feels as if The Gray Man lacks an “X-factor” to set it apart from other cinematic spy fare, it’s a reminder of why the genre is so irresistible: the stars, the scope,and elite operatives with big personalities and shifting allegiances.

I give The Gray Man 3 out of 5 stars and recommend it for ages 12 to 18, plus adults, for language, intense action, and multiple instances of torture. The Gray Man is in theaters for a brief period starting July 15, 2022, and launches on Netflix globally on July 22, 2022.